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| Author's biography |
| Dutch painter, with Poelenburgh the leading pioneer of the taste for "biographl" tppabs="http:www.wga.hu/database/glossary/glossar3l#italianate*/, 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false">Italianate landscapes in the Netherlands. Breenbergh spent most of the 1620s in Italy and thereafter worked in Amsterdam. His style as a painter is very similar to Poelenburgh's, his biblical and mythological characters set in well-balanced views of the Roman Campagna, often complete with classical ruins. His drawings are much fresher and bolder, and have often passed under the name of Claude, as is the case with two examples in Christ Church, Oxford. Late in his career Breenbergh turned to figure painting. |
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