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| Author's biography |
| Bernard (or Bernaert or Barend) van Orley, Netherlandish painter of religious subjects and portraits and designer of tapestries and stained glass. He was the leading artist of his day in Brussels, becoming court painter to Margaret of Austria, regent of the Netherlands, in 1518 and to her successor Mary of Hungary in 1532. His work is characterized by the use of ill-digested "biographl" tppabs="http:www.wga.hu/database/glossary/glossar3l#italianate*/, 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=300,height=300');w.opener=this;w.focus();return false">Italianate motifs. There is no evidence that he visited Italy, and his knowledge presumably came from engravings and from Raphael's tapestry cartoons, which were in Brussels c.1516-19; he has (very flatteringly) been called 'the Raphael of the Netherlands'. In 1520, when Dürer visited the Netherlands, Orley gave a banquet for him, and Dürer drew his portrait.His best-known work is the turbulent Job altarpiece (Musées Royaux, Brussels, 1521). As a portraitist his style was quieter and more thoughtful (Georg Zelle, Musées Royaux, Brussels, 1519). None of van Orley's paintings bears a date later than 1530; after that time he was chiefly occupied with designing tapestries and stained-glass windows. |
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